placeholder image

1969
Last Update: 05.03.2024
 
Placeholder image
Zurück  Disco-Index
 
 
Erscheinungsdatum
28. April 1969
 
Aufnahme-Sessions
27. - 3 0. Januar 1969
 
Labels
Columbia/CBS (1969, 1986, 1988)
Mobile Fidelity Sound Lab (1984, 2014)
Rhino Records (2002, 2019)
 
Katalog-Nummern
Original Do-LP-Ausgabe 1969: Columbia: GP 8
Quadraphonic Do-LP-Ausgabe 1974: Columbia: GQ 33255
8-Track Cartridge 1969: Columbia: 18 BO 0854
Musik-Cassette 1969: CBS: 2PC038

Tonband, 4-Track, 18 cm Spule, 1969: Columbia: HC 1204
Mobile Fidelity Sound Lab Do-LP-Ausgabe 1984: MFSL 2-128
1. Doppel-CD-Ausgabe 1986: CBS: CDCBS 66221
1. Einzel-CD-Ausgabe 1988: Columbia: CGK 00008

Gold-CD-Ausgabe 1992: Columbia: CK 57186
Chicago Records CD-Ausgabe 1996: Chicago Records MUSH32037.2

Rhino Special Edition CD 2002: Rhino Records: R2 76171

Mobile Fidelity Sound Lab SACD 2014: UDSACD 2134
Rhino 50th Annivesary Remix 2019: Rhino Records: 00603497851744
 
Erscheinungsjahre
1969 (1. Vinyl Do-LP, Columbia)
1969 (8-Track-Cassette, Columbia)
1969 (Musik-Cassette, Columbia)

1969 (Tonband, 4-Track, 18 cm Spule, Columbia)
1974 (Quadraphonic Do-LP-Ausgabe, Columbia)
1984 (MFSL Do-LP, Mobile Fidelity Sound Lab)
1986 (1. Do-CD-Ausgabe, CBS)
1988 (1. Einzel-CD-Ausgabe, Columbia)
1992 (Gold-CD-Ausgabe, Columbia)
1996 (CD-Ausgabe, Chicago-Records)
2002 (Special-CD-Edition, Rhino)

2014 (MFSL Super Audio CD, Mobile Fidelity Sound Lab)
2019 (50th Annivesary Remix-CD, Rhino Records)
 

Länge
77:43
(Original Do-LP- und CD-Ausgabe)
76:36
(Rhino CD-Ausgabe 2002)
77:09 (MSFL SA-CD 2014 + Rhino 50th Anniversary CD 2019)

 
 
Produced by
James William Guercio
 
 
Tracks

Vinyl
(Vinyl Do-LP-Version)
LP 1
Seite A
 1: Introduction  (Terry Kath) 6:35
 2: Does Anybody Really Know What Time It Is?
(Robert Lamm) 4:35
 3: Beginnings
(Robert Lamm) 7:55

LP 1
Seite
B
 
1: Questions 67 And 68 (Robert Lamm) 5:02
 2: Listen
  (Robert Lamm) 3:22
 3: Poem 58
(Robert Lamm) 8:37

LP 2
Seit
e A
 1: Free Form Guitar
(Terry Kath) 6:54 *
 2: South California Purples
(Robert Lamm) 6:11
 3: I'm A Man
(Steve Winwood/James Miller) 7:41

LP 2
Seite
B
1: Prologue August 29, 1968
(James William Guercio) 0:57 **
2: Someday -August 29, 1968-
(Robert Lamm/James Pankow) 4:12
3: Liberation
(James Pankow) 14:39 ***

 

CD-Version
(Normale, Remastered, SACD-Version)

 1: Introduction  (Terry Kath) 6:35
 2: Does Anybody Really Know What Time It Is?
(Robert Lamm) 4:35
 3: Beginnings
(Robert Lamm) 7:55
 
4: Questions 67 And 68 (Robert Lamm) 5:02
 5: Listen
  (Robert Lamm) 3:22
 6: Poem 58
(Robert Lamm) 8:37
 7: Free Form Guitar
(Terry Kath) 6:54 *
 8: South California Purples
(Robert Lamm) 6:11
 9: I'm A Man
(Steve Winwood/James Miller) 7:41
10: Prologue August 29, 1968
(James William Guercio) 0:57 **
11: Someday -August 29, 1968-
(Robert Lamm/James Pankow) 4:12
12: Liberation
(James Pankow) 14:39 ***

 

CD-Version
(1. Do-CD-Version)

CD 1:
 1: Introduction  (Terry Kath) 6:35
 2: Does Anybody Really Know What Time It Is?
(Robert Lamm) 4:35
 3: Beginnings
(Robert Lamm) 7:55
 
4: Questions 67 And 68 (Robert Lamm) 5:02
 5: Listen
  (Robert Lamm) 3:22
 6: Poem 58
(Robert Lamm) 8:37

CD 2:
 1: Free Form Guitar
(Terry Kath) 6:54 *
 2: South California Purples
(Robert Lamm) 6:11
 3: I'm A Man
(Steve Winwood/James Miller) 7:41
4: Prologue August 29, 1968
(James William Guercio) 0:57 **
5: Someday -August 29, 1968-
(Robert Lamm/James Pankow) 4:12
6: Liberation
(James Pankow) 14:39 ***

 
 
Musiker
  • Robert Lamm: Keyboards, Vocals, Background Vocals
  • Terry Kath: Guitars, Vocals, Background Vocals
  • Peter Cetera: Bass, Vocals, Background Vocals
  • James Pankow: Trombone, Cowbell, Brass Arrangements
  • Walter Parazaider: Woodwinds, Tambourine, Background Vocals
  • Lee Loughnane: Trumpet, Claves, Background Vocals
  • Danny Seraphine: Drums, Percussion
 
 
Engineering
  • Fred Catero
  • Wayne Tarnowski (Remix and Quadraphonic Sound Supervision)
 
Recordet & Mixed at:
  • Columbia Recording Studios, New York (January 1969)
 
Cover Ar t
  • Sign-Nick Fasciano
 
 
 

Rhino Reissue:

  • A&R/Project Supervision: Lee Loughnane, David McLees & Gary Peterson
  • Audio Supervision: Jeff Magid
  • Remastering: David Donnelly at Dina Studios, Studio City, CA
  • Product Manager: Mike Engstrom
  • Liner Notes Coordination:Tim Scanlin
  • Editorial Supervision: Cory Frye
  • Editorial Research: Steven Chean
  • Art Direction: Maria Villar
  • Design: Amy McFarland & Maria Villar
 
Producer's Note
  • *FREE FORM GUITAR was performed an a Fender Stratocaster guitar through a Showman amplifier equipped with a twin 15 bottom utilizing a Bogan P. A. amplifier as a pre-amp. No electronic gimmicks or efects were used in the recording of this selection, the intent being to capture as faithfully as possible the actual sound of the performance as it occurred.

  • **PROLOGUE, AUGUST 29, 1968 -Actual recording, Democratic Convention (Chicago, August 29, 1968). Black militants exhorting demonstrators: "God Give Us the Blood to Keep Going"; March begins; Police attempt to disperse marchers; Chant: "The Whole World's Watching."
  • ***LIBERATION -This track was recorded entirely live. The performance embodied in this recording is complete and uncut.
  • The name of this endeavor is simply "The Chicago Transit Authority". For the last thirteen months these seven individuals have performed in Chicago, Los Angeles and San Francisco as the C.T.A. So, if for nothing else than oractical logic, they have chosen to title this work appropriately after their professional identity. The purpose of this commentary, however, is an attempt at documenting the complete rejection of any name label, title or verbal reference relative to the performance contained herein. Corporately as well as individually, this artist endeavors to be judged in terms of contribution alone rather than through the tag affixed upon it. The printed word can never aspire to document a truly musical experience, so if you must call them something, speak of the city where alt save one were born; where all of hem were schooled and bred, and where all of this incredible music ent down barely noticed; call them CHICAGO.

       -James William Guercio

 
CHARTS
Album-Verkäufe
  • USA (RIAA) - 2 x PLATIN - > 2 000 000 Tonträger (1969)
  • CANADA (Music Canada) - PLATIN - > 100 000 Tonträger (1969)
 
 
Album-Charts
  • HOLLAND (Album Top 100) 1969 - CTA - Chart Position 6
  • NORWAY (VG-Lista) 1969 - CTA - Chart Position 8
  • UNITED KINGDOM (OCC) 1969 - CTA - Chart Position 9
  • USA (Billboard 200) 1969 - CTA - Chart Position 17
  • USA (Billboard 200) 1970 - CTA - Chart Position 23
  • USA (Billboard 200) 1971 - CTA - Chart Position 15
  • AUSTRALIA (Kent Music Report) 1969 - CTA - Chart Position 23
 
Song-Charts
  • USA (Billboard Hot 100) - 1970 - Does Anybody Really Know What Time It Is? - Chart Position 7
  • USA (Billboard Hot 100) - 1971 - Beginnings - Chart Position 7
  • USA (Billboard Hot 100) - 1971 - Question 67 and 68/I'm A Man - Chart Position 24
  • USA (Billboard Hot 100) - 1969 - Question 67 and 68/Listen - Chart Position 71
 
 
 
ALBUM - VINYL - COVERS
 
Original Vinyl-Ausgabe
 
Placeholder imagePlaceholder image
Placeholder image
Placeholder image
Placeholder image

Placeholder image

Placeholder image
Placeholder image
 
 
Quadro-Vinyl-Ausgabe
 
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
 
 
MFSL-Vinyl-Ausgabe
 
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
 
 
ALBUM - CD - COVERS
 
Original 2er-CD-Ausgabe
 
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
 
 
Original 1er-CD-Ausgabe
 
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
Placeholder image
 
 
Rhino-CD-Ausgabe
 
Placeholder image
Placeholder image
Placeholder image
 
 
Gold-CD-Ausgabe
 
Placeholder image
Placeholder image
Placeholder image
Placeholder image
 
 
MFSL-SACD-Ausgabe
 
Placeholder image
Placeholder image
Placeholder image
 
 
 

 

Zurück  Disco-Index

 

placeholder image Facebook Instagram Email